First impressions of Encad VinylJet 36 printer at ISA tradeshow The Encad VinylJet is an innovtive project that we hoped would return Encad to a leader in wide format inkjet printers. No other company has a product that breaks out of the traditional mold as this unusual Kodak-Encad printer.
FLAAR editor Dr Nicholas Hellmuth attended the initial presentation of the Encad VinylJet at ISA '03 tradeshow. Encad was honest and forthright about the selection of media and precisely what companies had it available. We rate Kodak Encad as better in this respect than the other companies and their pseudo-solvent ink printers, where people felt duped because no one warned them about limited media choice. The Encad VinylJet does not use any solvent, neither lite-solvent nor eco-solvent. So you won't stink up your entire environment with solvent ink smell. The printer is a third the price of any solvent ink printer. Just realize that you can't do billboards with a 36 inch width, but you can sure get started in outdoor signage. Just be sure you calculate your long range prices: the initial equipment is very reasonable. But with true solvent ink selling at between $50 to $120 a full liter, compare the price of a full liter of the special ink required for the VinylJet. Also check the price of the media and see how it compares with the cheapo stuff that your competitors are using with cheapo after market solvent ink. Yes, they are paying off the higher price of a Vutek, Mutoh, Mimaki or other true solvent ink printer, but their operating costs may be much lower (due to lesser price of their inks and media.
Unfortunately the promises in the advertising claims did not meet up with the actual performance of the printer. After being featured at the Kodak booth for a year or so, the printer was silently withdrawn, and has disappeared (albeit not from the history of inkjet printers). We regret that Encad did not succeed with this new printer. After all, Encad got the entire color wide format inkjet business going back in the 1990's. Besides, Encad provided FLAAR its first printer to evaluate. We kept it in our “museum” until we ran out of space, alongside a dozen newer printers from Epson, Mimaki, ColorSpan, and HP. For comparative information on true solvent ink printers (DGI, Mutoh, Mimaki, Infiniti, and other Korean, Taiwan, and Chinese), on lite solvent and eco-solvent (Roland SolJet, Mutoh Falcon Outdoor), get your hands on the FLAAR Series on solvent ink printers by Nicholas Hellmuth, available from www.wide-format-printers.net. “Success Stories” should be a public embarrassmentThis Encad VinylJet printer had so many problems that it was finally withdrawn (with almost no public notice). It is almost unheard of for any manufacturer to actually drop an entire new printer line. This is a polite way of saying “this printer must have had so many issues that it was an embarrassment both to Encad and to Kodak, of such magnitude that they had to jettison it to avoid the ill-will of people who found out all the weak aspects and inabilities of this otherwise highly touted system.” Yet why did all the trade show PR and all the trade magazine PR tout this printer so much? What about all the “Success Stories?” Considering that this printer had so many issues that the manufacturer had to eat a multi-million dollar loss by backing out, this suggests the technology and chemistry was seriously flawed. It would be interesting to learn what are the differences between the ink and heaters used by the VinylJet and the ink and the heaters used by the new HP latex ink? HP launched it’s latex ink in March 2008; the printer that uses this HP latex ink will probably be launched at DRUPA 2008. The other instances of such comparable failed printers are:
There are FLAAR Reports, or at least extensive notes, on all major printers from 2000 onward. We do not have notes on the CrystalJet since it disappeared so quickly and I was just beginning to evaluate printers in those years. But the point is that most trade magazines issued Success Stories on these printers that failed, especially on the Encad VinylJet. Other printers failed because they were simply not what end-users wanted. All the final models of Oce Arizona solvent printers failed, but not because they were bad, simply because they were obsolete; by this time (2002-2004) everyone was buying cheaper Korean printers (Chinese printers were not yet as usable), or were buying Mimaki JV3 or Roland eco-solvent. The Oce T220 solvent flatbed and the Oce T220 UV version flatbed were not commercially successful, although they were well built and actually functioned. They were simply too slow (Xaar printheads) and “over-designed” which means nicely done if you are a team of capable engineers but not really a practical printer for a busy printshop. Now perhaps you can see why FLAAR issues reports, and why printshop owners value our reports. We do our best to provide information on the actual pros and cons of a printer. We really get excited over some ink chemistries and technologies, but when a printer has flaws, we mention these downsides in addition to the other aspects which are okay.
Most recently updated March 18, 2008. |
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